Excerpt on Holiness from draft of Chapter 6

Here is the first lengthy excerpt from the book. Having moved (for now) beyond the introductory chapters that are so important for setting up the rest of the book, the work is going much more smoothly on the editorial side. This is also causing the progress meter (left sidebar) to rise much faster. Remember that your chances to preorder Brian's book for $5.00 ends when the meter tops 30% (details in right sidebar). As you read the following excerpt you will see that Brian does a fine job of bringing Scripture directly to bear in ways that bring fresh illumination.

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Novelist Flannery O’Connor once said, “To the hard of hearing you shout, and for the almost blind you draw large and startling figures.” She did this in her fiction, often ending her stories with unusual, even shocking, twists that force the moral of the story upon her readers.

Our gracious God knows we are almost blind and hard of hearing. And in Scripture, he shouts and draws large, startling pictures to help us understand his holy nature and the character he wishes to form in us. Let’s take a brief survey of these pictures of holiness in Scripture.

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Visual Aids: TOC, Document Map view, mind maps

There are three main visual tools I use to help me grasp the big picture of a book and track its progress.

First is the Table of Contents, a few working versions of which I have already reproduced in this blog. (Click the TOC tag to see those.) Mostly I use this as an easy way to scan chapter headlines and keep in mind the overall flow of the book. For the first two-thirds of the editing process I usually keep a hard copy of the original draft of the TOC close at hand for reference and note taking.

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An exchange about chapter four

Brian,

This chapter can be extremely helpful to the reader. But the first part — generally speaking, everything before the “living in sync with the gospel” section — seems to suffer from issues of labeling and reader expectations. Prior to diving in to begin a close edit, I'm sharing these thoughts to see if you wanted to comment or perhaps even undertake some rewriting.

Here are some questions and observations that the early part of this chapter raises for me on behalf of the reader.

As your target reader, the typical Christian in a good church, you ought not to assume I am significantly different from the average American. Greatest country in the world, cradle of opportunity, and all that good stuff being true, there are also the downsides. I want to be spoon-fed. On average I am intellectually lazy, materially spoiled (yet feeling entitled to more), chronically overscheduled and/or poor at personal time management, and I am constantly being trained by the culture to expect things to be even more clear and simple, and even more quick and convenient, than they were just six months ago. You can either meet me where I am or miss the opportunity to reach me.

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Wordsmithing, Part 1: Line editing & rewriting

This link will take you to the first of five images. Use the right-hand arrow to see images two through five. Following up on this post, these screen captures show the results of basic before-and-after line editing using the compare function in MS Word. The original text that was eliminated shows strikeout and is highlighted in gray. New text is underscored, although a fair amount of this text was Brian's which I moved from elsewhere in the chapter. Remaining original text is plain. Brian now has the final from this process and may make additional edits.

For anyone unfamiliar with the book-editing process, let me note that after Brian and I have completely finished our work, this text is still going to be copyedited and proofread for basic grammatical and typographical errors. So, as an editor, while I do pay some attention to these as a matter of course, they are not top-of-mind matters for me at this stage of the process. Knowing that others are going to do a final cleaning up of the text frees me to focus on more strategic communication goals.

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Two progress-report emails

Here is an edited excerpt from an e-mail I sent Brian yesterday:

I think it's great that the blog is taking on more of a two-perspective feel….I suppose this will help people see that we really are working this out as we go along….
 
It occurs to me as I write this that you as an author do not have the benefit of receiving from me only those thoughts and observations that have had time to mature. As both a co-author and reader of the blog, you are probably facing more challenges than the average author I would work with, because you catch a glimpse of my half-formed observations. [Readers of this blog can probably appreciate the discomfort and awkwardness associated with having a premature draft of anything in circulation.] In other book-editing arrangements, I normally only turn over my thoughts on a chapter when they have taken a more definite shape.  Well, we asked for it.

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First Draft of Introduction

Ten days ago Kevin asked me to write an introduction to the book that answers as least some of the following questions:

• What, exactly, is this book about?
• How is it differentiated from other, similar books?
• Why should I read this book and not any one of 1000 other books on the Christian life?
• What will I gain from reading it?
• Will my benefit be worth the cost?
• Is this author able to connect with me through clear and straightforward writing?
• Does he seem to know what he is talking about?
• Does he have reasonable credentials to write on this subject?
• Do I feel welcomed into this book?
• Is the author going to lecture me or encourage me? (Does he motivate by grace?)

I have been waiting for a quiet afternoon free from other responsibilities to tackle this. But around noon today, several ideas came to mind, so I started writing and worked on the intro sporadically throughout the day. Nine hours and 1600 words later, my first draft is complete.

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Pulling back to gain perspective

Once I have gone into the text and begun to edit a chapter or two closely, I usually find myself cycling back and taking a fresh look at the larger structure and purpose of the book. This pattern gets reiterated several times throughout the editing process. There's something about getting down into the line-by-line editing that helps open up the thought process of the author and allows me to then step back and look at the larger work through eyes there that are at least a little bit more like his. At least, that's my goal.

In this instance, I was working on chapter 3, about three quarters of the way through it. This is often the point where some important refinements take place in a chapter as a whole. I looked back at the original title, "The Curse is Canceled," and realized that, after editing most of the chapter, I had yet to come upon the concept of curse in a way that really resonated with the title. That's when I pulled back and thought, Wait a minute, what is this chapter really about? Then I went back to the preceding chapter: What was that chapter about?  And how does it lead into this one?

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